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Dead Smart People

When you're tired of listening to living idiots.

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[...] from the day when, given entirely to you, the whole world disappeared for me.

1718-1778

[...] when they [minds] have once acquiesced to false opinions [...], it is just as impossible to speak to them intelligibly as to write legibly on a paper already scribbled over with writing.

1772

Each party kicks from behind at the one driving forward and leans over the one driving back. No wonder that in this ridiculous posture it loses its balance.

1851/1852

What I call 'my present' encroaches upon both my past and my future.

1896

Minoan

Steatite spindle whorl

Steatite spindle whorl

ca. 2400–1900 BCE

Genius is less the prize of attention than a gift of chance, which presents to all [...] happy ideas from which only he who [...] is attentive to seize them profits.

1758

Neither intelligence nor pleasure can be the good, if they are lacking something.

c. 360 BC

No one can surrender [...] their natural rights and the faculty within them to reason freely and to judge things freely; no one can be compelled to do so.

1670

One should use syllogism with dialecticians rather than with the common people; and conversely, one should rather use induction with the common people.

End of the 4th century BC

Sano di Pietro (Ansano di Pietro di Mencio)

The Adoration of the Magi

The Adoration of the Magi

ca. 1470

It is, in effect, a matter of deciding whether the severe economy of a simple and rustic life can defend itself against luxury and license.

81 BC

These swallows that go [...] are the messengers of spring.

1546/1563

When the past no longer illuminates the future, the spirit walks in darkness.

1864-1866

Genius! Its glory grows unceasingly; and [...] everything connected to its memory is welcome.

63-64 AD

Cypriot artist

Limestone statue of a lion

Limestone statue of a lion

ca. 700–650 BCE

The struggle between Liberty and Authority is the most conspicuous feature in the portions of history with which we are familiar.

1859

Instead of speaking of a love of truth, it is better to speak of a spirit of truth in love.

1943

By natural reason alone, we can indeed make many conjectures to our advantage and have fine hopes, but by no means any assurance.

1643-1649

Passions always try to justify themselves, and they persuade us insensibly that we are right to follow them.

1674-1675

Francesco Montemezzano

Portrait of a Woman

Portrait of a Woman

1560

Temperation is the mutual and corresponding extension of two or more bodies, with their qualities also remaining.

c. 253-270 AD

The words of a wise man can easily bring a misguided people back to the right path [...], whereas no voice dares to rise to enlighten a wicked prince; there is only one remedy, the sword.

1855

Decadence: what a mistake! Never was there so much extravagance, perhaps because there was never so much vitality.

1926

The entire outer man corresponds [...] to the entire inner man.

1766

Greek Artist, South Italian

Terracotta statuette of a veiled woman

Terracotta statuette of a veiled woman

2nd century BCE

According to [some], God needs to wind up his watch from time to time, otherwise it would cease to work.

1715-1716

An outburst, escaped in certain moments, can put the hero on the same level as the common man; it can even put the latter above the former.

1636

If we are deprived of the sweetness of caressing our wives, what will console us for the harshness of our masters?

1775-1784

Every society is a moral society.

1893

Roman Artist

Marble statue of a member of the imperial family

Marble statue of a member of the imperial family

27 BCE–68 CE

By the benefit of the communication of ideas, each person finds themselves acting, reflecting, and choosing for all; everything that is discovered becomes a common good, a source of new progress.

1801

Able to live in retirement with safety and honor, [he] did not cease to expose himself to danger by fighting the most powerful of men.

100-120 AD

Wagner's music, if stripped of the protection of theatrical taste, [...] is simply bad music, perhaps the worst music ever made.

1888

A thing can be in a place in two ways, namely, definitively and circumscriptively.

c. 1270

Cypriot artist

Limestone statuette of a boy holding a bird

Limestone statuette of a boy holding a bird

2nd half of the 5th century BCE

There reigned neither tranquility nor tumult, but a silence that marked at once fear and indignation.

1754

Pure Nothing can no more produce a real Being than the same Nothing can be equal to two right angles.

1689

Madness admits [...] the exercise of all operations; but it is a disordered imagination that directs them.

1746

If, then, by this word void, we mean a privation of all body, [...] this presupposition that a space is void destroys and contradicts itself.

1653-1662

Cypriot artist

Limestone statuette of a boy holding a duck

Limestone statuette of a boy holding a duck

late 4th century–3rd century BCE

The Christian heaven or personal immortality.

1841

When I make a wheel, [...] if I go at it, I know not how, the result will be in line with my ideal [...]. It's a knack that cannot be expressed.

4th century BC

If one could castrate all scoundrels, throw all foolish women into a cloister, [...] one would soon see the birth of a generation that would restore to us, and more, the age of Pericles.

1819

Good and evil, both natural and moral, are only a matter of taste and feeling.

1742

Nicolaes van Veerendael

A Bouquet of Flowers in a Crystal Vase

A Bouquet of Flowers in a Crystal Vase

1662

[God] has given you these faculties free, independent, and liberated from all external constraint; he has put them entirely at your disposal.

c. 108 AD

It is a similar vanity to desire to be something other than what we are.

1580

What is beautiful and great but that which nature has made? What is deformed and weak but that which it has produced in its harshness?

1746

Others hastily stitch together small accounts and small commentaries, from which they form a fabric full of inequalities.

1623

Etruscan artist

Statuette of a girl

Statuette of a girl

ca. 550–500 BCE